They don’t make artist-centred music and won’t gorge on technicalities only trained ears will hear and appreciate, see the audience banging their heads on the primeval forces of the pounding 4/4 beat and have set themselves the goal to broaden their extreme (death) metal with influences from techno/dance and industrial music, completed with Wagnerian classical pomposity.
All this is topped with an image of irony, black humour and bad taste, in combination with a morbid fascination for everything that is ‘wrong’.
30-11-2018, The Monolith Deathcult releases the 2nd of the V-trilogy, Vergelding, which picks up where the first in the series, Versvs, left off. It deals with with the aftermath of the events that formed the theme of Versvs.
The album is narrated by a Sir everyone knows from various nature series, this time commenting on the most vicious and dangerous animal of them all: man. Only one species know “vergelding”, which is Dutch for retribution.
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